Skrilla’s Doot Doot (6 7) is a hard-hitting track that fuses drill and trap elements with an unexpectedly playful, almost nursery-rhyme-like cadence. At its core, the song is a gritty street anthem, filled with coded street slang, braggadocio, and an unapologetic tone. The lyrics showcase themes of street life, retaliation, fast living, and the glorification of violence, all wrapped in a delivery that is both menacing and infectious.
The song is heavily rooted in drill rap, a genre known for its raw depictions of street life, gang culture, and criminal activity. Skrilla embraces the typical drill persona of a ruthless, untouchable figure who is constantly on the move, handling business without hesitation.
This suggests that violence and retaliation are inevitable, yet Skrilla remains somewhat detached — his team handles things for him.
This line directly references fallen enemies, a common trope in drill music that emphasizes dominance over rivals.
One of the most intriguing aspects of the song is how it balances aggression with humor and playful delivery.
This section is almost absurd — mixing onomatopoeic gun sounds ("doot doot") with a reference to the children’s song Baby Shark. The result is a jarring contrast that makes the track stand out. It’s both dark and humorous, turning what should be a menacing moment into something almost comical.
Here, he references Rich Boy’s 2007 hit Throw Some D’s and Hurricane Chris’s A Bay Bay, nodding to the influence of older Southern rap anthems while seamlessly blending them into the track’s chaotic energy.
Like much of modern trap and drill music, Doot Doot (6 7) is filled with references to luxury, high-speed chases, and substance use.
The Jeep Grand Cherokee Trackhawk is a high-performance SUV that has become a status symbol in rap culture, often associated with high-speed getaways and wealth.
This line references Percocets (opioids) and blues (likely OxyContin or fentanyl-laced pills), showing that Skrilla is not only engaging in drug use but also reflecting the addiction struggles seen in his environment ("custys" = customers, slang for addicts).
Skrilla’s repetitive flow and hypnotic use of ad-libs make Doot Doot (6 7) an instantly memorable track.
The beat is minimalistic yet aggressive, with:
The way Skrilla rides the beat is key — he doesn’t force complexity but instead leans into the natural rhythm of the instrumental, letting his cadence and ad-libs fill in the gaps.
Doot Doot (6 7) is a perfect example of how modern drill music blends aggression, humor, and rhythmic experimentation. Skrilla uses familiar drill motifs — guns, street life, high-speed escapes — but injects them with an almost playful delivery, making the track feel both intimidating and infectious.
While it doesn’t necessarily break new ground in terms of subject matter, its delivery, production, and unique balancing of menace with humor make Doot Doot (6 7) a standout in the drill scene.