The Weeknd’s latest album, Hurry Up Tomorrow (2025), continues his exploration of fame, personal struggles, and transformation. "I Can’t Wait To Get There" stands out as a deeply introspective track, blending elements of self-reflection, societal critique, and an almost spiritual longing for growth and closure.
From his early days of dark, hedonistic tales in Trilogy to the synth-heavy, dystopian soundscapes of Dawn FM, The Weeknd (Abel Tesfaye) has constantly reinvented himself. This song feels like a culmination of that journey—an artist who has seen it all and is now looking forward to something greater, something beyond the superficial trappings of his past life.
The song is filled with existential musings, career reflections, and a subtle but powerful critique of fame. Let’s break down the key themes and symbols:
The repeated chorus—"I can't wait to get there, I know"—evokes a sense of anticipation. But where exactly is "there"? This could be interpreted in multiple ways:
The line "Where my love can grow" suggests he’s seeking a space—perhaps a mental or emotional one—where he can nurture relationships and his own peace, free from the chaos of fame.
In the verse, The Weeknd makes direct references to his career highs and lows. The lyric:"Dear summer, we've been runnin' the numbers / We just shy off a billi’, sold my crib to Madonna"implies a reflection on financial success but also suggests a transactional nature to his life—achievements are measured in statistics, sales, and property deals.Then, he criticizes the media and industry’s control over artists:"’Cause the media hate it when they can never control us / And my enemies hate it 'cause I own my soul"Here, he positions himself as someone who has resisted industry pressures, a theme he has touched on in past songs like "Lost in the Fire" and "Reminder."The most striking line might be:"Guess I did it to myself, man, this business life pimping / Who can tell me the difference?"This suggests a realization that the music industry operates much like a pimp controlling its artists—an acknowledgment of the exploitation he has witnessed or experienced.
The second half of the verse shifts to a more triumphant tone. Abel reflects on his transformation from a high school dropout to a global star:"High school dropout, chillin' with academics / Now I can finish a sentence / Now I’m articulate, baby."This growth is both literal (improving his communication skills) and metaphorical (finding his voice in the industry). It’s a direct response to those who may have doubted him early on, proving that his past circumstances didn’t define him.The line:"And I eviscerate my enemies and piss on they grave, yeah"is classic Weeknd bravado, but also a sign that, despite his growth, he hasn't entirely let go of his defiant, cutthroat mentality.
This song fits into The Weeknd’s larger narrative of self-discovery and disillusionment with fame. It resonates on multiple levels:
The Weeknd has spoken openly about his struggles with fame, identity, and his recent decision to retire the moniker. This song almost feels like his farewell letter to that lifestyle, acknowledging both the good and the bad.
Musically, "I Can’t Wait To Get There" blends ethereal production with a pulsating beat, reminiscent of Dawn FM’s retro influences but with a more atmospheric, almost gospel-like quality.
"I Can’t Wait To Get There" isn’t just another song in The Weeknd’s catalog—it’s a crucial moment of reflection. It captures an artist who has seen and done it all, now contemplating what’s next. Whether that "next" is a break from music, a new identity, or a spiritual transformation, one thing is clear: The Weeknd is ready to move forward.This track cements Hurry Up Tomorrow as more than just another album—it’s a farewell, a reckoning, and a glimpse into the next phase of Abel Tesfaye’s journey.